z-logo
open-access-imgOpen Access
Ignacio Manuel Altamirano, Clemencia y la ecocrítica.
Author(s) -
Mariana Guadalupe Bueno Ibarra
Publication year - 2021
Publication title -
sincronía
Language(s) - English
Resource type - Journals
ISSN - 1562-384X
DOI - 10.32870/sincronia.axxv.n79.10a21
Subject(s) - narrative , transcendental number , poetry , perspective (graphical) , natural (archaeology) , relation (database) , space (punctuation) , romanticism , humanities , sociology , history , art history , art , philosophy , literature , epistemology , archaeology , visual arts , linguistics , database , computer science
Ignacio Manuel Altamirano’s narrative has been one of the testimonies more remarkable of Mexican literature of the XIX century. Its study suggests many ways of approach to one of the more important historic and cultural time living in Mexico. The actual work analyses from the perspective of the ecocritic theory the fundamental importance of space and nature in literature. Clemencia is a novel that inscribes in the romanticism, nature develop in an open space with notables descriptions about mountains, plants, and gardens. The Ecocritics based its study in a natural perspective and about how it comes an active part in the narration; it gives a testimony of a concrete époque and reveals the relation between human / no-human. It is in Clemencia where this characteristic works in a space, where the natural world has and gives transcendental importance, a poetic scenery, nature, conforms for the nineteenth landscape in Guadalajara city.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here