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From São Paulo to Seoul: Netflix’s strategies in peripheral markets
Author(s) -
Melina Meimaridis,
Daniela Mazur,
Daniel Rios
Publication year - 2021
Publication title -
comunicación y sociedad
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.28
H-Index - 8
eISSN - 2448-9042
pISSN - 0188-252X
DOI - 10.32870/cys.v2021.8038
Subject(s) - latin americans , narrative , rest (music) , position (finance) , political science , project commissioning , publishing , business , advertising , economic history , economics , art , finance , medicine , literature , law , cardiology
Aiming to examine Netflix’s strategies in its global expansion and based on the debates on the transnationalization of tv flows, we observe the platform’s presence in two peripheral markets: Brazil and South Korea. In both, we find similar tactics, such as the licensing and commissioning of local content and partnerships with national production companies. Although we identified a recent shift in the company’s strategies from Latin America towards the Asian market, we argue that it is imperative to deconstruct Netflix’s position as a mediator of narratives to and from the “rest of the world”.

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