Open AccessBetween the secular and the Christian: Discussing the formation of the evangelical musician
Author(s) -
Luiz Renato da Silva Rocha
Publication year - 2019
Publication title -
núcleo do conhecimento
Language(s) - English
Resource type - Journals
ISSN - 2448-0959
DOI - 10.32749/nucleodoconhecimento.com.br/art/music-evangelico
Subject(s) - context (archaeology) , phenomenon , sociology , scope (computer science) , exploratory research , field (mathematics) , musical , psychology , aesthetics , epistemology , history , visual arts , social science , art , philosophy , mathematics , archaeology , computer science , pure mathematics , programming language
This work had as general objective to understand the formation of the evangelical musician evidencing the influence of the evangelical church in their professional careers. The proposal includes a reflection on how Christian and secular music is seen and the possible contributions of this context to also understand more about their differences. The methodology used was qualitative research that seeks to verify a phenomenon through its observation and study. Thus, the specific objectives and characteristics can be classified as exploratory, descriptive, causal and its scope (case study, sample survey and field study). The questionnaire applied to the interviewees brought us questions and reflections, to the extent that it was allowed to understand their initial musical formation until their life as a professional musician. As we analyze, we saw that there is a great opening in the music market for these professional musicians called evangelical Christians that has naturally been growing and contributing by supplying the bands of general formal with professional and competent musicians.