Open AccessРroduction and distribution of author's cinema in Ukraine as a state problem. Part 1. Film рroduction and problems of state administration of film industry
Author(s) -
Галина Петрівна Погребняк
Publication year - 2021
Publication title -
vìsnik deržavnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv/vìsnik nacìonalʹnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv
Language(s) - English
Resource type - Journals
eISSN - 2409-0506
pISSN - 2226-3209
DOI - 10.32461/2226-3209.4.2021.250298
Subject(s) - ukrainian , movie theater , context (archaeology) , novelty , state (computer science) , subject (documents) , distribution (mathematics) , production (economics) , film studies , sociology , epistemology , political science , social science , computer science , history , art , literature , mathematics , psychology , linguistics , economics , philosophy , social psychology , mathematical analysis , archaeology , macroeconomics , algorithm , library science
The purpose of the article is to identify the problems of film production and distribution in Ukraine and to identify scientific guidelines that contribute to a comprehensive analysis of the phenomenon of Ukrainian authors’ cinema in the intercultural space. Research methodology. Methods of scientific analysis, comparison, generalization were used in the development of the topic. In addition, analytical and systematic methods were used in their unity, which is necessary to study the art aspect of the problem. The scientific novelty of the study is that the problem of author's film production and distribution in Ukraine in the context of the functioning of state support programs first appeared as the subject of a special study; the content of the concept of "film production" as certain specific integrity and unity of interconnected elements is argued; the works of Ukrainian film directors-authors, whose films were created with state support, are singled out and characterized; the expediency of using the system method in studying the peculiarities of the film-making process in Ukraine is proved; a comprehensive analysis was carried out and the features of author's film production in Ukraine and abroad were identified. Conclusions. Acquaintance with the materials presented in the article expands the arsenal of knowledge about the specifics of the author's film production and distribution in Ukraine and makes their use in training courses on the theory and history of cinema and directing.
Keywords: Ukrainian cinema, film production, distribution, state support, director-authors.