Open AccessDoes the fact that you are a woman affect your perceptions of issues you are dealing with in film or video? 2. Is your work in film or video committed to women's issues? 3. Do you believe in the existence of a women's cinema that has distinguished characteristics?
Author(s) -
Ella Habina Shohat
Publication year - 1970
Publication title -
al-raida
Language(s) - English
Resource type - Journals
eISSN - 2226-4841
pISSN - 0259-9953
DOI - 10.32380/alrj.v0i0.620
Subject(s) - narrative , postmodernism , affect (linguistics) , perception , ask price , work (physics) , sociology , history , aesthetics , psychology , literature , epistemology , art , philosophy , physics , business , communication , finance , thermodynamics
At a time when the grand recits of the West have been told and retold ad infinitum, when a certain postmodernism (Lyotard) speaks of "end" to metanarratives, and when Fukayama speaks of an "end of history," we must ask: precisely whose narrative and whose history is being declared at an "end?"