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Stage Directors in the Rehearsal Room: Degendered Bodies in a Degendered Workplace
Author(s) -
Sahar Assaf
Publication year - 1970
Publication title -
al-raida
Language(s) - English
Resource type - Journals
eISSN - 2226-4841
pISSN - 0259-9953
DOI - 10.32380/alrj.v0i0.125
Subject(s) - stanislavski's system , conceptualization , naturalism , hierarchy , art , visual arts , art history , history , political science , law , philosophy , epistemology , linguistics
The directing profession worldwide is a relatively new trend. Its current conceptualization is roughly a hundred years old. It started at the end of the nineteenth century with the advent of modern naturalism and then became a form of art at the beginning of the twentieth century, especially after the explosion of different directing practices and methods, namely methods advocated by Antonin Artaud, Constantine Stanislavski, and Bretolt Brecht, among others. Rehearsals, or the practice sessions in preparation for the performance, obtained a fundamental role in theater-making and the director was placed at the top of the theater hierarchy.

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