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Sacred Women in Coptic Cinema: Between Faith and Resistance
Author(s) -
Lise Paulse Galal
Publication year - 1970
Publication title -
˜al-œraida
Language(s) - English
Resource type - Journals
eISSN - 2226-4841
pISSN - 0259-9953
DOI - 10.32380/alrj.v0i0.106
Subject(s) - movie theater , piety , notice , resistance (ecology) , faith , narrative , saint , politics , art , arabic , literature , history , religious studies , art history , law , political science , philosophy , theology , ecology , biology , linguistics
The present religious revival in the Arab world has not only initiated new politics or individual devotedness and piety, but has also resulted in a rise of mediated religious memories. Hence, as a promoter of a community revival, the Egyptian Coptic Orthodox Church has disseminated narratives about the Coptic saints to the members of the church. During my fieldwork among the Copts in Egypt in the nineties, I was continuously presented with these saint stories without really taking notice. But, as the storytellers seemed to insist on being heard, I started listening. Meanwhile, I had become aware of the Coptic cinema which since 1987 till today has produced and distributed more than thirty screen versions (in Arabic) about the life stories of sacred figures of the Coptic Church.

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