
THE COPYRIGHT AND PROBLEM POSTMODERNIST INTERTEXTUAL IN THE MODERN LITERATURE
Author(s) -
M. M. Кalinichenko
Publication year - 2016
Publication title -
teorìâ ta praktika sudovoï ekspertizi ì krimìnalìstiki
Language(s) - English
Resource type - Journals
eISSN - 2708-5171
pISSN - 1993-0917
DOI - 10.32353/khrife.2015.44
Subject(s) - intertextuality , postmodernism , context (archaeology) , literature , intellectual property , literary criticism , literary science , sociology , allegory , aesthetics , history , art , law , political science , archaeology
The article discusses some of the significant characteristics of postmodern intertextuality in modern Ukrainian and World literature within the context of expert studies of literary works as intellectual property objects. Modern postmodernist writers’ intertextuality in their literary works implies the reproduction of certain specific content elements directly borrowed from other works. In fact, intertextuality at the aesthetic level «makes legitimate» literary plagiarism it renders deliberate borrowing of other people’s creative work results not copyright violations but a popular work of literary modern work of fiction. Taking into account that in Ukraine there has already been formed a national school of literary postmodernism, we can assume that the issue of intertextual borrowings may be included into the list of typical intellectual property issues to be considered by forensic experts. That is why there is a need for revisiting the generally accepted principles of forensic examination of intellectual property objects. The author suggests certain research means and methods of conducting examinations of potential copyright infringements that are caused by unauthorized intertextual borrowing.