Open AccessMemaknai Unsur Naratif Dalam Film Parasite Melalui Perspektif Filsafat Kebebasan Manusia
Author(s) -
Rifqi Nadhmy Dhia,
Firman Kurniawan
Publication year - 2021
Publication title -
ultimart
Language(s) - English
Resource type - Journals
eISSN - 2615-8124
pISSN - 1979-0716
DOI - 10.31937/ultimart.v14i1.1833
Subject(s) - meaning (existential) , narrative , depiction , sociology , aesthetics , humanities , art , philosophy , epistemology , literature
Human beings essentially have social freedom inherent in themselves. Parasite (2019), a film which raises social issues in South Korea, has a close relationship with the reality of social stratification in society. Using the film Parasite as a case study, this article attempts to trace the tendency of meaning production regarding the philosophy of human freedom. In the process, this article draws the conclusion that the depiction of a person within the social structure in the narrative element of the Parasite film can represent the meaning of social freedom which is also limited by other human freedoms.
Keywords: Communication; Philosophy; Social Freedom; Social Structure; Parasite