Open AccessDisinhibition of the public through happening- performance (IV.)
Author(s) -
Laurențiu BELDEAN,
AUTHOR_ID,
Ciprian ȚUȚU,
AUTHOR_ID
Publication year - 2022
Publication title -
bulletin of the "transilvania" university of braşov. series viii, performing arts
Language(s) - English
Resource type - Journals
eISSN - 2344-2018
pISSN - 2344-200X
DOI - 10.31926/but.pa.2021.14.63.2.2
Subject(s) - skepticism , happening , architecture , power (physics) , key (lock) , taste , space (punctuation) , aesthetics , make.believe , dual (grammatical number) , disinhibition , explanatory power , rationalism , sociology , psychology , history , epistemology , art , literature , visual arts , computer science , performance art , philosophy , art history , physics , computer security , quantum mechanics , neuroscience , operating system
The paper tackles the impact of the stage performance upon the public, the algorithm through which the theatrical event entered in the captivity of mass manipulation and the development of the dramatic concepts, aiming to decode the implied power relationship between scene and audience, thanks to the evolution of philosophical thinking from genuine skepticism to modern rationalism, from the judgment of taste to critical judgment and social activism. Further, in the psychological key, the consequences of the dual division of the show space, the sociological markers in theatre architecture, and the pattern of the Wagnerian scenic space were studied, allowing insights into the history of mentalities and into the pattern of art reception.