
Electronics in Music: Preliminary Stages
Author(s) -
Radu Vlad,
AUTHOR_ID
Publication year - 2020
Publication title -
bulletin of the "transilvania" university of braşov. series viii, performing arts
Language(s) - English
Resource type - Journals
eISSN - 2344-2018
pISSN - 2344-200X
DOI - 10.31926/but.pa.2020.13.62.1.20
Subject(s) - variety (cybernetics) , nothing , electronic music , art , art history , visual arts , popular music , literature , computer science , philosophy , epistemology , artificial intelligence
With a first recorded appearance dating around the 1950s, electronic music – the fruit of rigorous and tenacious labour by acoustician-researchers and composers who tried and succeeded in imposing a new sound-universe – channelled the evolution of the art of sounds as nothing before it. Prominent composers of the orientation – Pierre Schaeffer, Pierre Henry, Edgar Varèse, Herbert Eimert, Karlheinz Stockhausen, Vladimir Ussachevsky, Luigi Nono – had a determinant role in the way music expanded. The literature mentions as early as the beginning of the 20th century the existence of creators with a true calling for identifying original solutions to permanently transform music, breaking its barriers and thus allowing it to develop, expression-wise, in a variety of directions.