Open AccessManaging Stages of Film Sound Production
Author(s) -
Lev Riazantsev,
Yevheniia Yevdokymenko
Publication year - 2021
Publication title -
vìsnik kiïvsʹkogo nacìonalʹnogo unìversitetu kulʹturi ì mistectv. serìâ: audìovìzualʹne mistectvo ì virobnictvovyrobnytstvo/vìsnik kiïvsʹkogo nacìonalʹnogo unìversitetu kulʹturi ì mistectv. serìâ: audìovìzualʹne mistectvo ì virobnictvo
Language(s) - English
Resource type - Journals
eISSN - 2617-4049
pISSN - 2617-2674
DOI - 10.31866/2617-2674.4.2.2021.248702
Subject(s) - sound (geography) , sound design , dramaturgy , context (archaeology) , sound production , production (economics) , filmmaking , novelty , ukrainian , acoustics , computer science , aesthetics , visual arts , art , movie theater , psychology , history , linguistics , physics , social psychology , philosophy , macroeconomics , archaeology , economics
The purpose of this article is to analyse the main stages of sound production in film. The study aims to establish the main principles of film sound design, prove the importance of a rational approach to each stage in the context of their impact on the results of the study, and determine the role of sound in film dramaturgy. The research methodology is based on theoretical methods, namely an analysis of information sources, comparison of Ukrainian and foreign approaches to filmmaking, generalisation and systematisation of practical knowledge and experience of sound production in film from the first sound film to the present day. Scientific novelty. The management structure of sound production’s modern stages and their impact on creative and technical components of film soundtracks is analysed in detail for the first time. Conclusions. The article analyses the stages of sound production in film and establishes the main principles of sound design by studying Ukrainian and foreign approaches to creating sound in the film. The author summarises the rational approach to each stage in the context of their impact on the results of the study and examines the role of sound in film dramaturgy.