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KREATIVITAS ELA MUTIARA DALAM TARI KANYA
Author(s) -
Murtisa Sulistin Kusumadewi
Publication year - 2020
Publication title -
jurnal ilmu budaya/jurnal ilmu budaya
Language(s) - English
Resource type - Journals
eISSN - 2540-7651
pISSN - 1829-8338
DOI - 10.31849/jib.v17i1.4712
Subject(s) - dance , creativity , choreography , clothing , repetition (rhetorical device) , visual arts , field (mathematics) , aesthetics , psychology , art , social psychology , mathematics , philosophy , linguistics , history , archaeology , pure mathematics
Kanya is a contemporary dance that raises the issue of early marriage in Sukabumi. This study uses a qualitative method with a descriptive analysis approach that provides a description or description by describing data obtained from the field regarding the choreography of the Kanya dance, as well as Ela's creativity in compiling the Kanya dance. To answer the problem regarding the Kanya dance choreography, it was explained using the basic elements of choreography based on Sumandiyo Hadi's opinion. In addition, Ela's creativity was explained using the 4P concept proposed by Rhodes, namely (1) person (2) press (3) process (4) product. The results obtained from Ela's study of creativity in the Kanya dance work were greatly influenced by her experience as a dancer and choreographer. This creativity is manifested in daily motives by the lack of a stilator and a combination of techniques such as fibration, fall and recovery, repetition, and tempo adjustment. The conclusion of this research is the result of Ela's creativity that uses daily movements by exploring the characteristics of some rope and jug characteristics as well as minimalist clothing and make-up choices.

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