Open AccessFINAL CREATIVE WORKS OF HECTOR GERMAIN GUIMARD
Author(s) -
Е. Н. Поляков,
Т. В. Дончук
Publication year - 2020
Publication title -
vestnik tomskogo gosudarstvennogo arhitekturno-stroitelʹnogo universiteta
Language(s) - English
Resource type - Journals
eISSN - 2310-0044
pISSN - 1607-1859
DOI - 10.31675/1607-1859-2020-22-1-9-30
Subject(s) - bourgeoisie , modernism (music) , style (visual arts) , art history , period (music) , constructivism (international relations) , architecture , art , humanities , history , sociology , visual arts , aesthetics , political science , law , politics , international relations
The article concerns the final architectural and design activity of Hector Guimar (1867–1942), when he was forced to withdraw from his unique Guimar style. During this period, the sociopolitical and cultural life of Europe underwent fundamental changes. Bourgeois modernism was replaced by more laconic democratic styles (functionalism, constructivism, etc.). Not wanting to lose the professional orders, the French architect created projects with-out the former plastics and warmth. It is noted that before the World War II, he was mainly engaged in the design of multistorey residential buildings, occasionally, in decorative design of their facades and interiors, elements of technical equipment. His architectural projects of that period are residential complexes on Rue Jean de la Fontaine and Rue Agar (1910–1912), House Tremois on Rue François Millet (1909–1910), synagogue building Agoudas Hakehilos on Rue Pavee (1913–1914). Briefly considered the vicissitudes of his life after his departure to the United States (1938).