Open AccessSławomir Mrożek at the Tatar stage: the metamorphoses of Polish stage
Author(s) -
Milyausha Mukhametsyanovna Khabutdinova,
Rezeda Mukhametshina
Publication year - 2018
Publication title -
przegląd wschodnioeuropejski
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.186
H-Index - 4
eISSN - 2450-0828
pISSN - 2081-1128
DOI - 10.31648/pw.3589
Subject(s) - tatar , drama , interpretation (philosophy) , stage (stratigraphy) , comedy , literature , history , art , linguistics , philosophy , geology , paleontology
In this article we analyzed the stage interpretation of Sławomir Mrożek’s play on the scene of Tatar theatre. The performance of “Shashkan babay” (“The mad grandfather”) play was staged on the 10th of February, 2016 by Karim Tinchurin drama and comedy theatre in Kazan. It was the first staging of Sławomir Mrożek’s in Tatar language. In this article we generalize the history of Sławomir Mrożek’s plays production waves in Russia. The specifics of Polish text interpretation by producer Rashid Zagidullin was outlined. We proved that “Shashkan babay” play production continues the best tradition of Russian and Polish theatres.