Einige Bemerkungen zur literarischen Intermedialität und zur filmischen Interbildlichkeit der Plastik des „lesenden Klosterschülers“ (Sansibar oder der letzte Grund von Alfred Andersch)

This article consists of four parts: the first, which briefly outlines the interdependence of literature and media such as film and photography in the context of narrative strategies related to World War II; the second is the intermedical location of "The Book Reader" as an expressionist sculpture by Ernst Barlach in the story of novel A. Andersch "Sansibar oder der letzte Grund" (relation: kaleidoscope of characters – sculpture) in the context of the concept of "Aura" by W. Benjamin, the third – cinematic interimage of the sculpture "The Book Reader" (sculpture -film relationship) and a summary of the considerations taken.