
Some Images of a "New Creation" in Twentieth-Century Art
Author(s) -
Julie Badiee
Publication year - 1995
Publication title -
journal of bahá'í studies
Language(s) - English
Resource type - Journals
ISSN - 0838-0430
DOI - 10.31581/jbs-7.1.441(1995
Subject(s) - theme (computing) , mistake , revelation , aesthetics , art , modern art , history , visual arts , literature , art history , performance art , law , computer science , political science , operating system
The theme of destruction is so common in twentieth-century art that it is easy to make the superficial mistake of dismissing much of modern art as dealing with death and despair. However, a closer study of this perios can reveal that there has also always been a fascination with the subjects of birth, renewal, and new beginnings. Many of the art forms of our century exhibit a profound and purposeful break from the past and can be understood as a continuing attempt by modern artists to create a unique and unprecedented visual language for the age in which we live. This article looks at the works of some twentieth-centur artists to show that, whether they were aware of the Baha'i Revelation or not, many of these artists have been compelled to express the quiet, yet unmistakable theme of a "new creation."