
Alexandra Ekster’s Contribution to Ukrainian and World Art Culture
Author(s) -
Леся Турчак
Publication year - 2021
Publication title -
sučasne mistectvo
Language(s) - English
Resource type - Journals
eISSN - 2663-0362
pISSN - 2309-8813
DOI - 10.31500/2309-8813.17.2021.248461
Subject(s) - ukrainian , painting , fine art , art world , subject (documents) , exhibition , the arts , visual arts , world war ii , contemporary art , avant garde , art , art history , sociology , political science , law , performance art , library science , philosophy , linguistics , computer science
The work of Ukrainian artists who have contributed to Ukrainian and international art, is not sufficiently disclosed. Their creative search impresses with versatility, interesting decision, continues to impress and inspire contemporaries. Purpose of the article — to find out the contribution of the Ukrainian avant-garde artist, set designer, teacher Oleksandra Ekster, to the Ukrainian and international fine arts. Oleksandra Ekster’s work has been the subject of research for decades. Scientists are interested in the painter’s art search, her contribution to Ukrainian avant-garde, scenography reforms, and teaching activity. Some sources may state that Ekster is a representative of Russian avant-garde. However, the artist grew up in Kyiv, obtained art education and promoted with her work not only Ukrainian but world avant-garde as well. The research of modern scientists (H. Kovalenko, D. Horbachova, T. Filevska, N. Stoliarchuk, M. Yur and others) makes it possible to review the artist’s life and artistic journey as well as her contribution to art history. The research methodology consists of a range of methods: historical, biographical, theoretical. The abovementioned methodological approach allows studying the question of historical data relating to the events in Ukraine that led to the emigration waves, finding out certain biographical facts and analyzing the artist’s creative activity.