
ОСОБЛИВОСТІ ВИКОРИСТАННЯ ТЕМБРОВОГО ПОТЕНЦІАЛУ АКОРДЕОНА В ТВОРАХ ДАТСЬКИХ КОМПОЗИТОРІВ ХХ СТОЛІТТЯ
Author(s) -
Д С Решетник
Publication year - 2020
Publication title -
world science/world science
Language(s) - English
Resource type - Journals
eISSN - 2414-6404
pISSN - 2413-1032
DOI - 10.31435/rsglobal_ws/31052020/7087
Subject(s) - accordion , interpretation (philosophy) , timbre , danish , musicology , art , history , art history , visual arts , musical , linguistics , philosophy , computer science , world wide web
The aim of the study is to analyze the principles of interpretation of the timbre potential of the accordion by Danish composers of the twentieth century, which will allow to better understand the peculiarity of using this instrument in Scandinavian academic music of the late twentieth century. Thus, by music analisis of works by Ole Schmidt, Niels Viggo and Per Nørgord, the peculiarities of the use of accordion in Scandinavian academic music of the twentieth century, as well as the principles of its interpretation in the music of the selected composers are revealed.