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ВІРШОВАНИЙ ТЕКСТ ЯК ОБ’ЄКТ ЛІНГВІСТИЧНОГО ДОСЛІДЖЕННЯ
Author(s) -
Наталія Григорівна Ходаковська
Publication year - 2020
Publication title -
world science/world science
Language(s) - English
Resource type - Journals
eISSN - 2414-6404
pISSN - 2413-1032
DOI - 10.31435/rsglobal_ws/28022020/6941
Subject(s) - conceptualization , theme (computing) , content (measure theory) , linguistics , poetry , expression (computer science) , dialectic , key (lock) , feature (linguistics) , semiotics , literature , computer science , philosophy , art , epistemology , mathematics , mathematical analysis , computer security , programming language , operating system
The article provides an overview of modern theories of the artistic expression of verse texts. The inseparable connection of form and content has been established as an integral feature of the artistic speech of the verse text. The basic features of the verse text are identified, namely the relationship of sound and content organization, the interrelation of the meter and the theme. On the basis of the analysis the formalistic and structuralist approaches for the study of the form and content of the verse text are distinguished; the system-structural direction in which the verse text is conceived as a whole; the linguopoietic direction determines the interaction of the form and content of the verse text, and its linguistic elements cause an aesthetic effect. The aesthetic aspect of the poem is considered in the dialectical unity of cognitive and imaginative combinatorics. The purpose of linguoconceptology is to study the processes of conceptualization of the world (society, culture). An approach related to the semantic features of verbal text usage reveals their role in creating a verbal image.

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