Open AccessThe specificity of the double simple imitation and its role in the dramaturgy of the Renaissance epoch musical works
Author(s) -
Zoran Bozanic
Publication year - 2018
Publication title -
naukovij vìsnik nacìonalʹnoï muzičnoï akademìï ukraïni ìmenì p.ì. čajkovsʹkogo
Language(s) - English
Resource type - Journals
eISSN - 2522-4204
pISSN - 2522-4190
DOI - 10.31318/2522-4190.2018.122.141809
Subject(s) - counterpoint , dramaturgy , imitation , context (archaeology) , aesthetics , musical , musical analysis , literature , art , linguistics , epistemology , history , psychology , philosophy , social psychology , pedagogy , archaeology