Interaction Of Dance Parties And Orchestra In Traditional And Untypical Locations Of Ballet Performances

The organic combination of music and choreography in the conception of ballet performances thanks to co-creation of the conductor and the choreographer is considered. Insufficient research of the chosen theme, the need for a thorough analysis of the implementation of ballet performances in traditional and untypical conditions are detected. The specifics of conducting practice in opera and ballet theater are compared. The common features and differences in conducting techniques and approaches in the specified types of arts are outlined. The crucial role of the orchestra in the reproduction of the inner and outer life of stage characters in a ballet performance is clarified. The task of the conductor in the work on the score of the ballet performance and in identifying the line of its stage action is singled out. The interaction of dance parties and orchestra in traditional and non-traditional locations of ballet performances is analyzed. The attention is given to the specifics of the conductor's work in these conditions, the accompaniment of ballet, taking into account the difficulties of choreography. Conducting techniques in simultaneous performance of ballet parts by dancers and an orchestra in traditional circumstances of demonstration of performances are illustrated. The peculiarities of the conductor 's work in non-traditional locations of ballet performances are investigated. Conducting approaches to the realization of ballet performances in non-standard conditions of their demonstrations are determined on the basis of the experience of leading artists and the author of the article. Emphasis is placed on the need to find individual solutions to ensure the simultaneous performance of parts by the orchestra and dancers. It is proved that in traditional conditions to achieve the integrity of the orchestral sound and performance of dance parts, the conductor must take into account the individual characteristics and capabilities of ballet dancers to ensure the appropriate tempo- rhythm. In untypical locations of ballet performances, the conductor must be creative, find individual techniques to ensure his visual contact with the artists, synchronizing their performance with the orchestral sound.