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Cultural Work as a Site of Struggle: Freelancers and Exploitation
Author(s) -
Nicole S. Cohen
Publication year - 2012
Publication title -
triplec
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.564
H-Index - 21
ISSN - 1726-670X
DOI - 10.31269/triplec.v10i2.384
Subject(s) - marxist philosophy , autonomy , surplus value , sociology , cultural capital , perspective (graphical) , work (physics) , value (mathematics) , capital (architecture) , politics , cultural studies , political economy , neoclassical economics , social science , economics , political science , capitalism , law , anthropology , mechanical engineering , archaeology , artificial intelligence , machine learning , computer science , history , engineering
This paper argues that Marxist political economy is a useful framework for understanding contemporary conditions of cultural work. Drawing on Karl Marx’s foundational concepts, labour process theory, and a case study of freelance writers, I argue that the debate over autonomy and control in cultural work ignores exploitation in labour-capital relationships, which is a crucial process shaping cultural work. To demonstrate the benefits of this approach, I discuss two methods media firms use to extract surplus value from freelance writers: exploitation of unpaid labour time and exploitation of intellectual property through aggressive copyright regimes. I argue that a Marxist perspective can uncover the dynamics that are transforming cultural industries and workers’ experiences. From this perspective, cultural work is understood as a site of struggle.

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