Contradiction and Paradoxes in J. M. Coetzee’s Disgrace
Author(s) -
Khum Prasad Sharma
Publication year - 2016
Publication title -
deleted journal
Language(s) - English
Resource type - Journals
ISSN - 2091-1637
DOI - 10.3126/litstud.v29i01.39599
Subject(s) - deed , white (mutation) , contradiction , context (archaeology) , sociology , gender studies , history , philosophy , law , political science , epistemology , biochemistry , chemistry , archaeology , gene
J.M Coetzee’s Disgrace is a portrayal of characters in a social context of South Africa where the writer himself was brought up. It throws light on the new social milieu of post apartheid society where Lucy, a white is raped by a black African. She seems to accept this heinous deed with an ease by giving it a historical blend. She understands her rape as a black’s way of taking revenge for what whites have treated the blacks in the past. She considers it different from the universal concept of rape as a forceful sex. By making the blacks raping the white woman, Coetzee seems to be rewriting the African history and in this he dismantles the black/white dichotomy. So, I contend to carry out that Disgrace being a highly paradoxical and contradictory novel presents a world dying without hope and fear. It exposes the intellectual insecurity in South Africa which proves to be a threat to white man’s stability and culture.
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