Metaphysics of cinema art | Zendy

Roman Maksovich Perelshtein | Zendy

AI Assistant Blog Pricing

Home ZAIA Blog

Open Access

Metaphysics of cinema art

Author(s) -

Roman Maksovich Perelshtein

Publication year - 2021

Publication title -

herald of culturology

Language(s) - English

Resource type - Journals

ISSN - 2658-3291

DOI - 10.31249/hoc/2021.01.03

Subject(s) - drama , catharsis , tragedy (event) , mythology , hero , doctrine , metaphysics , soul , movie theater , plot (graphics) , literature , philosophy , art , aesthetics , epistemology , theology , statistics , mathematics

The author of the article explores cinema art as a kind of worldview model, based on the tragic myth of Aristotle. The well-known doctrine of tragedy is the part of the doctrine of tragic myth. Both tragedy and drama strive for catharsis, that is, to purify and heal the soul. The discussion of drama as a spiritual teaching becomes extremely relevant in this regard. The hero of the drama (wider than a movie with a dramatic plot) goes on a journey to meet his eternal "I", and, therefore, to become himself. The hero may fail, but there is no other purpose for the journey or initiation.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.

Having issues? You can contact us here

Accelerating Research