
Semangat Perlawanan Musik Indie (Kasus Bali)
Author(s) -
I Dewa Gede Kusuma
Publication year - 2018
Publication title -
journal of music science, technology, and industry
Language(s) - English
Resource type - Journals
ISSN - 2622-8211
DOI - 10.31091/jomsti.v1i1.508
Subject(s) - indie film , indigenous , context (archaeology) , land reclamation , bay , government (linguistics) , geography , political science , media studies , engineering , archaeology , sociology , ecology , linguistics , philosophy , biology
ABSTRAKPengalaman atas reklamasi Pulau Serangan merupakan tolak ukur bagaimana kegagalan nyata reklamasi di wilayah Tenggara Bali. Situasi Orde Baru (ORBA) pada masa Presiden Soeharto adalah Pulau Serangan terpisah dengan gugusan Pulau Bali, lalu terjadilah penimbunan wilayah pantai hampir tiga kali luas awal Pantai Serangan. Akses ke Serangan akhirnya dapat menyatu tanpa menggunakan kapal atau boat. Masyarakat adat pasubayan di Bali selatan, berhasrat tidak ingin tertimpa persoalan serupa pengalaman terjadi di Pulau Serangan. Masyarakat di Bali selatan terlibat menolak dan melawan rencana reklamasi lewat praktik musik indie secara damai, kreatif, dan tanpa aksi anarkisme. Penelitian ini dilakukan dengan metode kualitatif dalam konteks kajian budaya kritis. Hasil penelitian menunjukkan bahwa aktivis lingkungan dan musisi indie di Bali sejak tahun 2012 semakin gelisah pascamunculnya isu rencana reklamasi Teluk Benoa. Musisi indie perlahan-lahan mengarahkan ideologi pergerakannya menolak gagasan pemerintah dan investor pengembang untuk mereklamasi Teluk Benoa seluas 838 Ha di Tanjung Benoa, Jimbaran, Kabupaten Badung, Bali. Musik Indie memiliki kepentingan melawan dalam menyampaikan pesan sosial atas kondisi riil yang terjadi di masyarakat. Gerakan musik indie berkolaborasi bersama aktivis dan masyarakat adat dalam menyampaikan pesan-pesan perlawanan sebagai upaya melindungi lingkungan alamiah Bali di masa mendatang.Kata kunci: musik, perlawanan, reklamasi. ABSTRACTThe experience of Serangan Island reclamation is a benchmark for the real failure of reclamation in the Southeast of Bali. The New Order (ORBA) situation during the time of President Soeharto was a separate Serangan Island with the cluster of Bali Island, and then there was a hoarding of coastal areas almost three times the initial area of Serangan Coast. Access to Attack can eventually blend without using a boat or boat. Indigenous peoples pasubayan in southern Bali, eager not to get hit by similar problems experience occurred in Serangan Island. Communities in south Bali are involved in resisting and resisting the reclamation plan through the practice of indie music peacefully, creatively, and without anarchism. This research is conducted by qualitative method in the context of critical culture study. The results show that environmental activists and indie musicians in Bali since 2012 are getting more agitated after the emergence of the issue of the Bay of Benoa reclamation plan. Indie musicians are slowly directing the ideology of their movement to reject the idea of government and developer investors to reclaim the Benoa Bay area of 838 Ha in Tanjung Benoa, Jimbaran, Badung regency, Bali. Indie music has a counter-interest in conveying the social message of the real conditions that occur in society. Indie music movements collaborate with activists and indigenous peoples in conveying resistance messages as an effort to protect Bali's natural environment in the future.Keywords: music, resistance, reclamation.