Open AccessLibertarianism in Pop Culture:
Author(s) -
Marcella Lins
Publication year - 2020
Publication title -
mises/mises: revista interdisciplinar de filosofia, direito e economia
Language(s) - English
Resource type - Journals
eISSN - 2594-9187
pISSN - 2318-0811
DOI - 10.30800/mises.2020.v8.1317
Subject(s) - libertarianism , subversion , vampire , morality , perspective (graphical) , punishment (psychology) , sociology , commodification , function (biology) , state (computer science) , utilitarianism , environmental ethics , law , law and economics , political science , social psychology , psychology , philosophy , art , economics , computer science , literature , algorithm , evolutionary biology , politics , market economy , visual arts , biology
Television drama is an important tool to present hypothetical scenarios and imagine various ways to deal with them, while testing the viability of ethical theories that could guide moral judgements and practical decisions made in real life. Buffy the Vampire Slayer (1997-2003) left an important legacy in Popular Culture captivating viewers worldwide and still being relevant 20 years later. The aim of this article is to revisit Buffy’s Season 4 and analyze it through a libertarian perspective. Over this season, a great number of relevant subjects are discussed, such as the form and function of the state, its relationship with society, the subversion of public authorities and the morality of law and punishment. It is expected that the successful adoption of libertarian ethics and principles to understand this TV show might bring out Libertarianism as a valuable philosophical alternative to be taken into account when looking for solutions to current issues.