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On the Verge of Centuries: A Philosophical Rethinking of I.S. Turgenev
Author(s) -
И. Е. Кознова
Publication year - 2019
Publication title -
filosofskie nauki
Language(s) - English
Resource type - Journals
eISSN - 2618-8961
pISSN - 0235-1188
DOI - 10.30727/0235-1188-2019-62-3-150-159
Subject(s) - politics , context (archaeology) , russian literature , drama , sociology , literature , aesthetics , history , philosophy , political science , law , art , archaeology
On World Philosophy Day, November 15, 2018, the Institute of Philosophy of the Russian Academy of Sciences organized the international conference on the Russian classic writer I.S. Turgenev (“Ivan Sergeevich Turgenev: A Philosophical Writer and Political Philosopher. On the 200th Anniversary of the Birth”). During the plenary and two breakout sessions, speeches were given by philosophers, cultural researchers, historians ofRussia,USA,Germany,Austria. The conference’s attitude to the consideration of the multifaceted heritage of the great Russian writer made it possible to highlight in the modern historical and cultural context many aspects of Turgenev’s work, to rethink stereotypes existing among researchers and in the mass consciousness regarding Turgenev. At the conference, Turgenev was presented as a political thinker, a liberal who embodied spiritual asceticism, a supporter of the dialogue of cultures, a “Russian European” who does not accept “new barbarism” in all its manifestations from radicalism to Russian exclusivity idea. In the reports and speeches, attention was drawn to the cultural bilingualism inherent in Turgenev, his ability of non-biased artistic and philosophical observation, which enabled him to analyze the then state of minds in Russian society, to foresee many collisions inherent in the national historical process in the 20th – early 21st centuries and world cultural trends engendered by the “uprising of the masses,” to anticipate the drama of the absurd. At the conference, among the discussed topics were the themes of nihilism and loneliness, viewed through the prism of the existential experience of the writer and world literary characters.

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