Open Access‘Reflections on Italy’s contemporary approaches to cultural diversity: The exclusion of the ‘Other’ from a supposed notion of ‘Italianness’
Author(s) -
Riccardo Armillei
Publication year - 2021
Publication title -
australian and new zealand journal of european studies/australian and new zealand journal of european studies
Language(s) - English
Resource type - Journals
eISSN - 1837-2147
pISSN - 1836-1803
DOI - 10.30722/anzjes.vol8.iss2.15164
Subject(s) - pluralism (philosophy) , colonialism , diversity (politics) , emigration , immigration , national identity , sociology , identity (music) , political science , political economy , gender studies , ethnology , anthropology , law , aesthetics , epistemology , politics , philosophy
For many years Italy has been described as a country of emigration. Only since the 1970s Italy has moved from being a net exporter of migrants to a net importer. Despite growing cultural and religious diversity, the implications of the pluralisation of the Italian society on national identity have been largely ignored. Italy has been recently described as a country without an established model of integration or pluralism.1 The so called ‘Italian way’ towards cultural diversity remained predominantly theoretical in character and not supported officially, in the sense of being incorporated into the nation’s history (as it is in Canada or Australia). The rise of ‘ethnonationalism’ and legacies of past colonialism contributed to create an institutional notion of supposed ‘Italianness’, which is based on the exclusion of the ‘Other’. During the Liberal and Fascist periods, colonialism was used to create and re-produce a strong sense of nationhood, re-composing the many internal divisions by racialising ‘otherness’ outside rather than inside the nation’s borders. This study suggests that, due to historical amnesia and a weak national identity, a similar logic is now informing the implementation of anti-immigration policies in Italy.