Open AccessDecolonising the Mind of the Antipodean Author: Gothic Tropes and Postcolonial Discourse in Peter Carey’s My Life as a Fake
Author(s) -
Valerie Tosi
Publication year - 2021
Publication title -
deleted journal
Language(s) - English
DOI - 10.30687/tol/2499-5975/2021/23/023
Subject(s) - key (lock) , literature , mode (computer interface) , philosophy , aesthetics , art , art history , sociology , ecology , computer science , biology , operating system
This article analyses Peter Carey’s novel My Life as a Fake (2003) through the lens of genre fiction, focusing on how the Gothic mode combines with key concepts in postcolonial studies. Intertextual references to Mary Shelley’s Frankenstein, or The Modern Prometheus (1818) and analogies with Stephen King’s The Dark Half (1990) and “The Importance of Being Bachman” (1996) are investigated to contextualise Carey’s postcolonial Gothic. Furthermore, taking a cue from Frantz Fanon and Oswaldo de Andrade’s theoretical studies, I argue that the main characters of this novel display attitudes that allegorically reflect the stages through which the national literature of a former settler colony is shaped.