
Revisiting the Code: The Vortical Transparency of the Space On Natália Correia’s Poetry
Author(s) -
María de Fátima Marinho
Publication year - 2021
Publication title -
rassegna iberistica
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.101
H-Index - 1
eISSN - 2037-6588
pISSN - 0392-4777
DOI - 10.30687/ri/2037-6588/2021/17/004
Subject(s) - complicity , transparency (behavior) , poetics , appropriation , space (punctuation) , code (set theory) , poetry , aesthetics , philosophy , sociology , epistemology , computer science , linguistics , law , political science , programming language , set (abstract data type)
In this article, we intend to explore the author’s ability to transform, subvert and recreate (spatial and/or cultural) referents that the reader recognises immediately but are presented in a disconcerting manner, always implying a critical and epistemological re-evaluation. Irreverence, an indispensable engine in Natália Correia’s poetics, is interstitially insinuated in the smallest details called for, whether they be the explicit reference to places or the appropriation of different styles. In O progresso de Édipo , Sonetos Românticos or O Anjo do Ocidente à Entrada do Ferro , Epístola aos Iamitas and many other volumes, we find the same transgression of the code, the same (ir)reverence, the same complicity with the reader.