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Pluralities in the Inter/Intragenerational Transmission through Photographic Memory in the Biodramatic Trilogy of Lola Arias
Author(s) -
Surendra Singh Negi
Publication year - 2020
Publication title -
rassegna iberistica
Language(s) - English
Resource type - Journals
eISSN - 2037-6588
pISSN - 0392-4777
DOI - 10.30687/ri/2037-6588/2020/114/006
Subject(s) - trilogy , creativity , interpretation (philosophy) , latin americans , visual arts , art , history , psychoanalysis , sociology , psychology , art history , aesthetics , computer science , political science , social psychology , law , programming language
In her biodramatic trilogy My Life after and Other Texts (2016) the Argentine playwright and director Lola Arias explores several resources that the generation of children has at its disposal. In this remake the life stories shared on stage belong to the generation of parents but they are reconstructed afresh in the present by the generation of children using their own creativity, imagination and interpretation. This article aims to study the intergenerational and intragenerational transmission of memory and the contribution of photographic memories in the remake of the family history of the performers to fill the gaps in the history of Latin America.

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