Open AccessAeschylus’ Satyr-PlayHeraldsReconstruction, Political Context, and Tetralogy
Author(s) -
Letizia Poli Palladini
Publication year - 2020
Publication title -
lexis
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.123
H-Index - 2
eISSN - 2724-1564
pISSN - 2210-8823
DOI - 10.30687/lexis/2210-8823/2020/01/005
Subject(s) - trilogy , sacrifice , centaur , plot (graphics) , context (archaeology) , politics , literature , philosophy , art , history , law , theology , classics , political science , archaeology , statistics , mathematics
This paper attempts a reconstruction of Aeschylus’ satyr-play Heralds . As the myth of Erginus’ heralds and their mutilation by Heracles is shown to be unconvincing on many grounds, it explores the possibility that the satyrs turned up or out as ‘heralds’, i.e. ‘sacrifice attendants’, in the Eleusinian preliminary sacrifice, sought by Heracles (polluted by the slaughter of the Centaurs) before his descent to Hades. To complete this conjectural picture, the potential topicality of such a plot is emphasised in relation to the genos of Ceryces and of Callias (II), who in the 480s was able to avoid ostracism. Moreover, a tragic trilogy is conjecturally set out as revolving around Ixion’s marriage, crime, purification, sacrilege, and around his son Pirithous (stepbrother to the Centaurs) joining the Calydonian boar hunt and thus having to do with Meleager (a figure linked, in many ways, to Heracles). As to topicality, it is suggested that the trilogy would thus cast a negative light on Thessaly. Finally, Aristophanes’ Clouds may contain allusions to this (hypothetical) tetralogy, and the so-called Dike-fragment may belong to Heralds .