
I ki hezar aferin bon nidge Sultan olur Dervishes Ceremonies in Constantinople Described by Western Travellers and Painters between Sixteenth and Eighteenth Century
Author(s) -
Giovanni De Zorzi
Publication year - 2019
Publication title -
annali di ca' foscari. serie orientale/annali di ca' foscari. serie orientale
Language(s) - English
Resource type - Journals
eISSN - 2385-3042
pISSN - 1125-3789
DOI - 10.30687/annor/2385-3042/2019/01/004
Subject(s) - musical , painting , modernity , order (exchange) , art , the arts , capital (architecture) , art history , ancient history , history , humanities , literature , classics , visual arts , philosophy , epistemology , finance , economics
Between the sixteenth century and the eighteenth century many Europeans visited Constantinople, the new Ottoman capital, and wrote reports that took various aspects of its cultural and musical life into consideration. Among the recurring elements of such reports, we note the description of Dervishes and their ceremonies, often accompanied by engravings and very rarely by musical transcriptions. Through time, such a description became a topic (and a stereotype) both in literature and in fine arts. My article retraces and comments descriptions of Dervish ceremonies, in a chronological order, by Western travellers and scholars between sixteenth and eighteenth century, between the so-called Age of Exploration and Modernity.