z-logo
open-access-imgOpen Access
Writing about War:
Author(s) -
Susan Rowland
Publication year - 2007
Publication title -
journal of jungian scholarly studies
Language(s) - English
Resource type - Journals
ISSN - 1920-986X
DOI - 10.29173/jjs74s
Subject(s) - nothing , tragedy (event) , literature , patriarchy , comedy , psychic , consciousness , epic , history , spanish civil war , philosophy , art , psychoanalysis , sociology , psychology , gender studies , medicine , alternative medicine , archaeology , epistemology , pathology
Arguably, in a time of war literature, and indeed all writing, is saturated with deep psychic responses to conflict. So that not only in literary genres such as epic and tragedy, but also in the novel and comedy, can writing about war be discerned. C.G. Jung,  Shakespeare and Lindsay Clarke are fundamentally writers of war who share allied literary strategies. Moreover, they diagnose similar origins to the malaise of a culture tending to war in the neglect of aspects of the feminine that patriarchy prefers to ignore. In repressing or evading the dark feminine, cultures as dissimilar as ancient Greece, the 21st century, Shakespeare's England and Jung's Europe prevent the healing energies of the conjunctio of masculine and feminine from stabilising an increasingly fragile consciousness. In the Troy novels of Clarke, Answer to Job by Jung and Much Ado About Nothing by Shakespeare, some attempt at spiritual nourishment is made through the writing.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here