Open AccessHatred Among Us
Author(s) -
Lisette Lagnado
Publication year - 2020
Publication title -
datjournal
Language(s) - English
Resource type - Journals
ISSN - 2526-1789
DOI - 10.29147/dat.v5i3.230
Subject(s) - exhibition , procession , context (archaeology) , contemporary art , repertoire , art , art history , visual arts , politics , hatred , sociology , history , performance art , literature , law , archaeology , political science
The article describes and analyzes in a historical context the Experiencias of Flávio de Carvalho (1899–1973) carried out since the first half of the 20th century, as well as presenting connections of those artistic actions with the contemporary cultural and political scene in Brazil, marked by religious interference. The artist ismentioned in the 11th edition of the Berlin Biennale, of which the author is one of the curators. The exhibition was structured based on the free updating of themes exposed in four “experiences” of FC. The exhibition is spread over four venues (until 11/1/2020), each with its own repertoire: the Anti-church (Kunst -Werke), the Showcase for dissident bodies (the daad), the inverted Museum (Gropius Bau) and the Living Archive (ExRotaprint). (This text was first published in Flávio de Carvalho: Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020. Copyright: Lisette Lagnado and Berlin Biennale for Contemporary Art).