z-logo
open-access-imgOpen Access
LOCATING THE POSITION OF WOMEN IN MEDIEVAL ASSAM THROUGH THE PRISM OF PERFORMATIVE AND VISUAL ARTS
Author(s) -
Diplina Saharia
Publication year - 2022
Publication title -
shodhkosh: journal of visual and performing arts
Language(s) - English
Resource type - Journals
ISSN - 2582-7472
DOI - 10.29121/shodhkosh.v3.i1.2022.95
Subject(s) - performative utterance , drama , painting , the arts , art , visual arts , prism , position (finance) , aesthetics , sociology , physics , finance , optics , economics
In this essay we will make an attempt to see what role performative and visual arts i.e. Vaishnava drama and illustrated manuscript paintings  respectively and the biographies of the Vaishnava saints  played in reconstructing the gender imagery. We will see how the gender biased representations in both performative and visual arts influenced the role of women in the domestic establishments and the notion of chastity attached to them. At the same time we will also have a glance at prevalence of polygamy during medieval Assam and how the performative and visual representations justified it’s prevalence and led to its acceptance.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here