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Filosofi Sarapataanguna Pra dan Pasca Islam Sebagai Filosofi Rumah Tradisional Buton Kaum Walaka
Author(s) -
Muhammad Zakaria Umar
Publication year - 2017
Publication title -
emara
Language(s) - English
Resource type - Journals
eISSN - 2477-5975
pISSN - 2460-7878
DOI - 10.29080/emara.2017.3.2.61-67
Subject(s) - meaning (existential) , islam , harmony (color) , philosophy , epistemology , sociology , religious studies , theology , art , visual arts
Since the issuance of the "Ijtihad (command) Sultan" to the royal Sara (device), so that harmony and brotherhood (Sara Pataanguna) in Islam was manifested in the form of typical Buton house. The royal Sara's and wood carpentry experts in the kingdom based on "Ijtihad Sultan" together performed deliberations. Deliberation aimed to find a building form for the house which in accordance with the philosophy of Sara Pataanguna. The pre-Islamic Sara Pataanguna philosophy and the post-Islamic Sara Pataanguna philosophy were embodied in the concept of meaning and functional concepts in traditional Buton houses. Based on on the role-sharing functions the Butonesse traditional house divided into two types, houses of Kaomus / Walakas with public roles and houses of common Kaoumus / Walakas without public roles. This research was aimed to analyzed the philosophy and symbolic meaning on houses of the Kaomus / Walakas with public roles. The research used qualitative research with case study approach.The result concluded that the philosophy of Sara Pataanguna became the philosophy from Walakas Butonesse traditional houses, especially for the owners who holds public positions, because the Sara Pataanguuna principles  was contained in the meaning and function of the houses symbols.

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