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STUDY OF THE EVOLUTION OF REPRESENTATIONS IN THE 20 CENTURY ON THE DETERMINATION OF THE FEATURES OF ARCHITECTURAL OBJECTS BY THE PSYCHOLOGICAL CHARACTERISTICS OF THEIR CREATORS – ARCHITECTS
Author(s) -
E. I. Vinogradova
Publication year - 2021
Publication title -
artikulʹt
Language(s) - English
Resource type - Journals
ISSN - 2227-6165
DOI - 10.28995/2227-6165-2021-1-93-104
Subject(s) - unconscious mind , impossibility , personality , creativity , architecture , literal and figurative language , psychology , process (computing) , product (mathematics) , social psychology , epistemology , sociology , aesthetics , computer science , psychoanalysis , visual arts , art , law , linguistics , mathematics , political science , operating system , philosophy , geometry
This article considers architecture as a product of the architect's psychological activity, and therefore raises the question of the role of the architect's personality, his internal conscious and unconscious intentions to create certain compositional and figurative solutions of buildings. The article consistently examines how the development of theories, concepts and experimental data of the main psychological schools of the 20 century influenced the ideas about the features of the design process, possible relationships between the psychological characteristics of the master's personality and the specifics of his creations, as well as the theory and practice of architecture in General. It is concluded that, despite the fact that the features of creativity were studied in almost every psychological school, and most of them recognize and highlight the possibility of reflecting the psychological characteristics of the architect in the products of his work, each school understood these features in accordance with the theory of personality that exists in it. This determined the narrowness of approaches and the impossibility of conducting full-fledged research within a single psychological school.

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