Open AccessСoncert performance production as method of professional training for students-vocalists
Author(s) -
S. V. Gmyrina
Publication year - 2017
Publication title -
muzične mistectvo v osvìtologìčnomu diskursì
Language(s) - English
Resource type - Journals
ISSN - 2518-766X
DOI - 10.28925/2518-766x.20172.13640
Subject(s) - singing , variety (cybernetics) , drama , set (abstract data type) , vocal music , the arts , psychology , visual arts , pedagogy , computer science , music education , art , management , music , artificial intelligence , economics , programming language
The present article deals with one of the major problems of training future soloists singers in higher education in Ukraine.The author analyses the art, scientific, educational and journalistic works of native and foreign scientists and artists on problems of pop and variety performance, set objectives of vocal training of studentsin higher education of Ukraine. The researcher describes the production of the concert performance as a part of professional training of future soloist-vocalist and although defines a role of the vocal stage in the professional development of student’s personality — future pop singer. The article reveals origin of such concepts as “music performance”, “pop performance”, outlines the artistic components of pop vocal performance as synthesis of the arts and furthermore the role of drama in the pop vocal performance.The author of the article analyses the specifics of pop vocal performance, determines specific features of performance and stage character of pop singer. The researcher focuses on specifics of state examination of solo singing in higher education, and explains the factors of successful performance for student vocalist on the state exam, analyses the structure of the final program of the future pop singer and defines the role of performance in the solo concert.