Open AccessSztuka performansu po "The Artist Is Present". Kontynuacja działań Mariny Abramović w twórczości jej uczniów
Author(s) -
Weronika Metlenga
Publication year - 2019
Publication title -
panoptikum
Language(s) - English
Resource type - Journals
ISSN - 1730-7775
DOI - 10.26881/pan.2019.21.09
Subject(s) - exhibition , subject (documents) , art , contemporary art , visual arts , perception , art history , turning point , aesthetics , performance art , period (music) , computer science , library science , philosophy , epistemology
Performance art, recognized in the second half of the 20th century as niche and alternative, is currently perceived as one of the most popular genres of contemporary art. The difference that has raised due to the development of performance art is evident not only in the way a performance is created, but mainly in changing the perception of the work of art. The opening of the Marina Abramović Institute and the performance The Artist Is Present, became the main turning point showing this change. The aim of this article is to present how the art of Marina Abramović, which she consistently created for more than four decades, evolves in the works of the new generations of performers. Qualitative research based on film, interviews, exhibitions and publications related to the subject is the base for these considerations.