Open AccessEpisodes toward a Fluxarchitecture. The work of George Maciunas, Shadrach Woods and Joachim Pfeufer
Author(s) -
Federica Doglio
Publication year - 2017
Publication title -
zarch
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.177
H-Index - 2
eISSN - 2387-0346
pISSN - 2341-0531
DOI - 10.26754/ojs_zarch/zarch.201792278
Subject(s) - sculpture , architecture , george (robot) , the arts , art , character (mathematics) , poetry , visual arts , art history , photography , discipline , field (mathematics) , aesthetics , sociology , literature , social science , geometry , mathematics , pure mathematics
Fluxus, an artistic movement that emerged in 1960, crossed borders within the arts. Soon it expanded to include sculpture, poetry, performance, photography, and cinema, taking on a multi-disciplinary character that regularly crossed or erased borders within the arts. Its relationship to architecture, however, is more complex. In the 1960s, a few architects sought to resolve contradictions between the principles of Fluxus and the presumptions of their own field, and explored the possibilities of change —flux— in architectural practice. This article will investigate possible connections between Fluxus and the architectural practices. It considers three figures who were both theorists and architects: Georges Maciunas, Shadrach Woods and Joachim Pfeufer. Their practices, considered together, form what in this article I coin “fluxarchitecture”.