Internal Rhythm of Poetry from Perspective of (Sound Deviation) in the Cotemporary Kurdish Poetry in the (South of Kurdistan- Middle Dialect- Post-Uprising1991-2003

internal rhythm is considered as a fundamental principle in poetry in general and prose poetry in particular. Therefore، no poem is void of internal rhythm which encompasses sound and its components and consistent with other levels of Language because the most important features of text are (sound) and each sound represents particular rhythm. Thus، causes differences. Internal rhythm does not have specific form but it is rather related to the emotions and inner state of individual which varies according to time and place. Therefore، the critics and stylists’ resort to different elements to determine the internal rhythm of the poetry among them sound words and phrases.       Types and places of occurrence at both horizontal and vertical level، other arts such as metaphor، paradox and its forms. In addition to (sound deviations) such as clipping، replacing and adding all these have significant role in creating internal rhythm. Internal rhythm went through a lot of changes before Uprising which was restricted and less free. Due to Uprising، a kind of freedom was achieved which brought about optimism and happiness on the part of Kurdish people. This was an incentive for the poets to ask for the change of the form and content of poetry and break traditional rules in writing poetry. However، this did not last long because sectarian violence occurred in Kurdistan and the poet’s adopted pessimism and despair in their writings. They tried to express this emotion through internal rhythm.