
The Cinematic Aspects of Electroacoustic Music
Author(s) -
Sarah E. Taylor
Publication year - 2022
Language(s) - English
Resource type - Dissertations/theses
DOI - 10.26686/wgtn.19294541
Subject(s) - electroacoustic music , narrative , portfolio , composition (language) , art , aesthetics , visual arts , literature , business , finance
This portfolio explores ‘the cinematic aspects of electroacoustic music’ by way of three compositional contexts: acousmatic composition drawing on filmic resources, electroacoustic soundtracks for short films, and the narrative and imagic aspects of archival recordings. Additionally, a research report provides commentary on the aesthetic and methodological aspects of the portfolio.