
Frances Hodgkins goes to Market
Author(s) -
Pamela Gerrish Nunn
Publication year - 2018
Publication title -
journal of new zealand studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.102
0eISSN - 2324-3740
pISSN - 1176-306X
DOI - 10.26686/jnzs.v0ins27.5177
Subject(s) - subject (documents) , work (physics) , motif (music) , art history , publishing , art , history , visual arts , sociology , aesthetics , engineering , literature , library science , computer science , mechanical engineering
The marketplace is a recurring subject in the work of artist Frances Hodgkins (1869–1947). Her handling of it over the years, and in different contexts, shows how she developed as a professional artist and with what trends she linked herself. The market can be seen in the work of British artists (e.g., Charles Worsley) of whom she will have been aware before she left her home country, as well as in the work of French ones (e.g., Camille Pissarro) whom she will have discovered once she went to Europe. A study of her use of this motif is essential to locating her as a New Zealand artist who became a European artist.