z-logo
open-access-imgOpen Access
CINEMATOGRAPH OF INDEPENDENT UKRAINE AS «MIRROR» OF CORDOCENTRIC MENTALITY
Publication year - 2017
Publication title -
vìsnik harkìvsʹkogo nacìonalʹnogo unìversitetu ìmenì v.n. karazìna. serìâ fìlosofìâ, fìlosofsʹkì peripetìï
Language(s) - English
Resource type - Journals
eISSN - 2414-5904
pISSN - 2226-0994
DOI - 10.26565/2226-0994-2017-57-17
Subject(s) - movie theater , ukrainian , psychoanalytic theory , trace (psycholinguistics) , aesthetics , film industry , literature , sociology , art , philosophy , psychology , psychoanalysis , linguistics
The article attempts to trace the preconditions and the main driving forces for the formation of specific Ukrainian cinema, the relationship between the philosophical tradition of the ethnos and its manifestation in the genre of contemporary cinema art. The problem of non-commercial orientation of film production and its possible consequences for the industry as a whole is considered. The emphasis is placed on the mental features of the genre of cinema in the works of Ukrainian directors, the possibilities of the Lacanian psychoanalytic methodology in the analysis of the laws of «maturing» of the national cinema of Ukraine are explored.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here