
Public Perception of the Illustrious Redcoat
Author(s) -
Ivy Cooley
Publication year - 2020
Publication title -
the general brock university undergraduate journal of history
Language(s) - English
Resource type - Journals
ISSN - 2371-8048
DOI - 10.26522/tg.v5i1.2373
Subject(s) - symbol (formal) , chivalry , context (archaeology) , perception , power (physics) , aesthetics , identity (music) , morality , history , sociology , literature , law , art , political science , epistemology , philosophy , linguistics , physics , archaeology , quantum mechanics
The redcoat, particularly the uniform itself, has become a symbol of often contrasting ideas. Jane Austen disliked the collective redcoat while others viewed the British infantryman in a more positive light. The redcoat permeated early 19th century society in terms of fashion, literature, and even plays, though still remains shrouded in mystery as to how civilians perceived this conflicting symbol. This paper will argue that the public perception of the redcoat during the Napoleonic era was paradoxical and depended on historical and personal context, though it largely projected a romanticized view of the British soldier. The redcoat symbolized heroism, chivalry, and power, often impressing the public at military events. However, beneath these gaudy coats were mere mortals who could cloak their sins beneath a convenient symbol of morality, effectively fooling the public with their new and pristine identity.