Open AccessThe Russian Romance. On the Question of Correlation of the Concepts “Nature” and “Dialogue with the Bible”
Author(s) -
Irina M. Krivoshey
Publication year - 2015
Publication title -
observatoriâ kulʹtury
Language(s) - English
Resource type - Journals
eISSN - 2588-0047
pISSN - 2072-3156
DOI - 10.25281/2072-3156-2015-0-6-111-115
Subject(s) - romance , identity (music) , musical , space (punctuation) , perception , national identity , sociology , globalization , aesthetics , psychology , literature , epistemology , linguistics , philosophy , art , political science , law , politics
The article focuses on the role of the concepts “Nature” and “Dialogue with the Bible” in the organization of artistic space of the Russian vocal music. The purpose of the article is to consider these concepts as a projection of key ideas of the Russian culture, whose interaction reveals a mental feature of the Russian people - perception of the world as a Divine Providence. Practical and scientific importance of the work is connected with exploration of the problem of mental origins of the Russian romance, its national identity. The search of mental characteristics of the Russian romance required application to multidisciplinary methods enabling to integrate knowledge from different fields of science in order to address the specific (musical) problem. The article asserts that the correlation of the concepts “Nature” and “Dialogue with the Bible” forms a semantic space which reveals spiritual facets of the unity between man and nature in the Russian romance. The study of the problem of national identity of the Russian vocal music is getting a special priority in the current conditions of cultural globalization. Disclosure of the problem’s new aspects is important for both the musicians and the musical experts.