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MORTAL MOTIVES IN WORKS BY R. SENCHIN
Author(s) -
E.O. Novikova,
Kspu named after V.P. Astafiev
Publication year - 2020
Publication title -
sibirskij filologičeskij forum
Language(s) - English
Resource type - Journals
ISSN - 2587-7844
DOI - 10.25146/2587-7844-2020-10-2-42
Subject(s) - drama , theme (computing) , consciousness , soul , phenomenon , aesthetics , literature , collective unconscious , psychoanalysis , history , sociology , philosophy , art , psychology , epistemology , computer science , operating system
By the beginning of the twenty-first century, death of a person becomes an iconic theme of an artistic reflection, and in the modern collective consciousness there is an idea of it as an ordinary phenomenon of life. A motive of death is one of the basic in R. Senchin’s works. It is manifested at a problematic level in the works “Zone of Flooding”, “The Eltyshevs”, “Live, Live”. The article analyzes a complex of moral motives associated with the understanding of death as a personal drama of a “little man” and as a traumatic experience of the current era in general. Senchin represents not only the drama of a family, a soul, but also predicts an apocalyptic end to the era that has forgotten the precepts of the past, traditions that have entered the path of degradation and death.

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