Open AccessFrom Punjab to Peggy’s Cove: Joyful Activism in Behind the Bhangra Boys (2019)
Author(s) -
Rohini Bannerjee
Publication year - 2021
Publication title -
revista canaria de estudios ingleses
Language(s) - English
Resource type - Journals
eISSN - 2530-8335
pISSN - 0211-5913
DOI - 10.25145/j.recaesin.2021.83.11
Subject(s) - cove , immigration , identity (music) , choreography , gender studies , blues , diaspora , art , sociology , history , media studies , art history , visual arts , aesthetics , dance , archaeology
This paper will examine how the 2019 Nancy Ackerman documentary film Behind the Bhangra Boys both deconstructs the complexities of contemporary Sikh immigrant identity in Eastern Canada and reinforces the intricacies of one’s social responsibility of being a welcome guest on the unceded territories of Mi’kma’ki, otherwise known as Nova Scotia. Following the energetic choreography and generous hearts of five young Sikh immigrants, the film reminds viewers that the protection of community and the planet is part and parcel of joyful activism, whilst following Guru Nanak’s teachings, be it along the rocky shoreline of Peggy’s Cove or the fertile farmlands of Punjab.